It is scarcely an exaggeration to say thatRequiem for a Nunposes more severe problems for interpretation than any other novel by Faulkner. Then in Go Down, Moses he creates psyches of black characters and builds empathy for them to look at the disparities in race relations. McCaslin is in his old age and tagging along with a hunting trip in the Delta region. Faulkner and Race. “And all the while his nostrils at the odor which he was trying to make his own would whiten and tauten, his whole being writhe and strain with physical outrage and spiritual denial.” (p225) With every effort to breathe in the being of blackness, Christmas’s own body rebels against his attempts and preventing him from finding the identity and peace he is so desperately working for. Does he believe the South can find a resolution to this problem? This means that every time you visit this website you will need to enable or disable cookies again. Race starts at the edge of his first novel, The Sound and the Fury, before moving front and center in Light in August, where Faulkner toys with race labels, expectations, and communal relations using a white character with black blood. It is anything but an environmental fallacy to attribute to Faulkner, in his conception of the South and its inhabitants, a decided impact from the Mississippi of his youth. As slavery is forever entwined with the South’s history it only makes sense that race would be one the main themes Faulkner would tackle. Race relations merely exist on the periphery of the novel, indicating his thematic focus as a writer, which would not turn squarely to race until Light in August. In Detroit he does his best to embrace his blackness and to throw himself into the black community but it does not take – he is rejected from the black community and feels very much out of place. That was what made the folks so mad…It was like he never even knew he was a murderer, let alone a nigger too.” (p350) It would seem that the town’s anger stemmed less from the actual murder itself than the fact that Christmas failed to conform with their preconceived notions of how white men, “niggers,” and murderers were supposed to act. When on a trolley in Boston, Quentin Compson remarks, “That was when I realized that a nigger is not a person so much as a form of behavior; a sort of obverse reflection of the white people he lives among.” (p86) This reductive view compounds black persons into simple mirrors of the white people they serve. The passage points toward the inevitability of human connection triumphing deep-rooted bigotry, albeit a slow change as the older generation passes. But it’s not our fault, either-“ (p135) The most striking part of this quote is that there is a perceived responsibility for black people being black and that the whites can wash their hands clean of any responsibility for how blacks are treated. JSTOR®, the JSTOR logo, JPASS®, Artstor®, Reveal Digital™ and ITHAKA® are registered trademarks of ITHAKA. These essays, originally presented by Faulkner scholars, black and white, male and female, at the 1986 Faulkner and Yoknapatawpha Conference, the thirteenth in a series of conferences held on the Oxford campus of the University of Mississippi, explore the relationship between Faulkner and race. Try logging in through your institution for access. After 141.7km of hard racing, the two Americans were the top finishers from the U.S. and claimed an excellent seventh and 10th place, respectively, out of a reduced field sprint. Read "Faulkner and Race" by available from Rakuten Kobo. In this story Faulkner builds empathy for Rider by allowing readers to experience events from his point of view and then contrast that with the white man’s off-the-mark interpretation of Rider’s actions. Both within ‘The Merchant’s Tale’ by Chaucer and ‘An Ideal Husband’ by Oscar Wilde, the theme of power is explored, with various characters attempting to increase their power often by […], In the film Y Tu Mama Tambien, the characters Tenoch, Julio and Luisa represent Mexican economic classes and social stratification in distinct ways. Summary Faulkner and Race by Doreen Fowler, Ann J. Abadie, February 1, 1988, University Press of Mississippi edition, Paperback in English With this ambiguity about his identity, inseminated from childhood, Christmas struggles with coming to terms with his blood and in finding the community to which he belongs. It is clear we are to identify and empathize – or at the very least sympathize – with Rider’s grief, which drives Rider through every action from burying his wife, to quitting work, to getting drunk and murdering Birdsong. The people that are described are not thrown in […], Pauline Breedlove would be quite a sight. From there race continues to stay at the forefront and in Go Down, Moses Faulkner reaches full maturity in the theme by creating black characters and delving into their inner psyche. 6.1: 98-102; If you feel inspired to write a response, please send it to editors(at)connotations.de. James A. has 7 jobs listed on their profile. The response of the young woman would seem to indicate otherwise. As a Fox News anchor, Harris Faulkner is constantly up to date with the news and knows better than to talk to her children about racial injustices in America. Cart All. As Thadious Davis has documented, Faulkner regularly heard the dance rhythms and art of what had become W. C. Handy's "franchise" of bands, traveling ensembles that played the southern college circuit. Strictly Necessary Cookie should be enabled at all times so that we can save your preferences for cookie settings. Faulkner’s fiction, as Gorra demonstrates, often gives the lie to what Faulkner the public figure said. In examining Faulkner’s writing we see that he presents the South for what it is – sometimes defending it, sometimes challenging it – and exposes how polarized and engrained race is in its way of life. Faulkner creates this push and pull in Christmas’s psyche while he is in Detroit, “liv[ing] with negroes, shunning white people”, describing his drive to make himself one identity: “At night he would lie in bed…beginning to breathe deep and hard. Faulkner and Race (Faulkner and Yoknapatawpha) eBook: Abadie, Ann J., Fowler, Doreen, Fowler, Doreen: Amazon.ca: Kindle Store One of the enduring legacies of his writing is his discussion of race and race relations in the South. White folks don’t have funerals,” to which Frony responds, “I like to know why not… White folks dies too. “’ ’Wait,’ he said, talking as sweet as he had ever heard his voice speak to a woman; ‘Den lemme go wid you, honey.’” (p136) Here readers get to experience the heartbreak, sadness, and love Rider feels for his wife – he would rather join her in death than live alone. Additionally, he tends to portray the black community as one cohesive whole as opposed to the white community as dysfunctional individuals. In Light in August Faulkner is attempting to shine his own light on how race is dealt within these types of communities and how engrained and polarizing these modes of thinking are. However, Faulkner’s public statements on the subject of race have sometimes seemed less than fully enlightened, and some of his black characters, especially in the early fiction, seem to conform to white stereotypical notions of what black men and women are like. Faulkner and Race * ARTHUR KINNEY. Cart "Faulkner and Race." Regarded as the most prominent writer from the South, William Faulkner spent his entire writing career building stories that both speak of human nature and of the nature of his homeland. Faulkner and Race. Download full The Racing Driver Book or read online anytime anywhere, Available in PDF, ePub and Kindle. Faulkner also neglects to create dynamic black characters. Murdering a white woman the black son of a “(p291). The essays in this volume address William Faulkner and the issue of race. Introduction . (p347) McCaslin views the diversity modern culture cherishes with dread. He would do it deliberately, feeling, even watching, his white chest arch deeper and deeper within his ribcage, trying to breathe into himself the dark odor, the dark and inscrutable thinking and being of negroes, with each suspiration trying to expel from himself the white blood and the white thinking and being.” (p225) Here Faulkner shows Christmas trying with all his might to get rid of every ounce of his whiteness and take on full blackness with the core back-and-forth human action of breathing. We are using cookies to give you the best experience on our website. It also is clear that Faulkner has transitioned from merely presenting the race-relations situation to challenging the negative, dehumanizing perceptions of blacks. Caleb Faulkner Racing. Click Get Books and find your favorite books in the online library. Yet as Lucas ages he makes do with it. While research on trans and gender-nonconforming people is expansive and can be found in many research databases, the purpose of this collection is to gather materials that are not easily accessible elsewhere. That was it. However, Faulkner's public statements on the subject of race have sometimes seemed less than fully enlightened, and some of his black characters, especially in the early fiction, seem to conform to white stereotypical notions of what black men and women are like. However, some would argue that Faulkner is limiting his discourse by using Joe Christmas, a character who is mostly “white” and not truly black. What’s curious about this is that Christmas does not actually know this for a fact – he was an orphan and never knew his parents. And though we get the incredibly intricate psyches of Benjy and Quentin and Jason, Faulkner neglects to provide the same treatment of black characters. Faulkner resolutely has probed the deeply repressed psychological dimensions of race, asking in novel after novel the perplexing question: what does blackness signify in a predominantly white society? Vol. Faulkner’s first novel, The Sound and the Fury, does not primarily focus on race relations, instead emphasizing more the stream-of-consciousness technique as a way to speak the psyche. . Another noteworthy instance is when young Christmas is likely to be transferred from the white to the black orphanage. 4.3: 283-99; Faulkner and Racism: A Commentary on Arthur F. Kinney's "Faulkner and Racism" Philip Cohen. The following essay examines whether a Southern white writer like William Faulkner can portray the consciousness of a different race; the examination begins with stereotypes and moves beyond them. Race is an ever-present theme in both Faulkner’s South and writing. Take for instance the scene after Christmas proposes to Bobbie, who rejects him, and her pimps then brutally assault him: “Is he really a nigger? Hello, Sign in. These country bastards are liable to be anything/We’ll find out. book As he tears back and forth with his desires, it is clear to see that he does not know what he wants his identity to be, a problem further compounded by the fact that neither white nor black community wants him – he is perceived as a white man in black communities and treated as such, and in the white communities – as soon as it is found out he is part black – is also treated as such. The bodiless voices described seem to be like demons, getting in Christmas’s head, their communication absolutely foreign to him. With Light in August Faulkner brings race to the forefront and begins his discussion of the theme, weaving identity and communal expectations and reactions together. 0 Reviews. As from the bottom of a thick black pit he saw himself enclosed…as if the black life, the black breathing had compounded the substance of breath so that not only voices but moving bodies and light itself must become fluid and accrete slowly from particle to particle, of and with the now ponderable night inseparable and one.” (p114). Faulkner's writing not only reproduces the social and political institutions based on racism in the South, it frequently undercuts that racism, demonstrating its corrosive impact on both races. “’Old man,’ she said, ‘ have you lived so long and forgotten so much that you dont remember anything you ever knew or felt or even heard about love?’” (p346) In writing this, Faulkner shows awareness of the diminishing of the Old South’s way of thinking and the necessity of bringing together the two races. Can Faulkner write a more moving human desire than this? When asked, “’What you got against white folks,’” Luster responds, “’Aint got nothing against them. Arthur Kinney. Then Faulkner gives the metaphor of “thick black pit” to describe the blackness that Christmas is so perplexed by, creating an almost hallucinogenic nightmare bouncing around in his head and closing in on him. March 28, 2021 It's safe to say Kristen Faulkner and Lauren Stephens thrive on Flanders' unforgiving roads, and today at Gent-Wevelgem proved no different. Faulkner and Race book. View James A. Faulkner’s profile on LinkedIn, the world’s largest professional community. Instead, he picks ups that he is part black from the children around him in the orphanage, who call him “Nigger” and who were probably told by his grandfather, Doc Hines, who found employment at the orphanage and was one of two people alive who knew for certain. From inside the book . The Racing Driver. Neither is Faulkner primarily concerned with the suffering of blacks. imprint. Normal view MARC view ISBD view. By doing so he builds empathy for the black characters and directs his writer’s beam of light on the stark racism of the Old South, while trying to envision the change and bringing together of whites and blacks he deems inevitable. Black communities are dehumanized to “a thick black pit” and “a shadow” which all other people must live under. Academic Papers and Publications. Discover which publications have used Understanding Society data by using this search facility. Poison as a Multivalent Substance in The Mysterious Affair at Styles, Social Conditions in Slapboxing with Jesus: “Slave” and “Ghost Story”, Unvacant Vessels: Women’s Oppression in “Persepolis” and in Recent Nonfiction, Power in An Ideal Husband and The Canterbury Tales, Hooking Up With Holden: Exploring Sexuality in The Catcher in the Rye. So does Faulkner share McCaslin’s negative view of racial integration? All Rights Reserved. Consequently, the various representations of race in his macabre, melodramatic, and violent work often seem like an uneasy balancing act that rarely stays at a point of equilibrium for long. Skip to main content.ca. Special offer for LiteratureEssaySamples.com readers. HOME; BOOKS. Read reviews from world’s largest community for readers. Faulkner and Race by Doreen Fowler, Ann J. Abadie, February 1, 1988, University Press of Mississippi edition, Paperback in English We also see labels come into play when Brown uses them to his advantage and reveals that Christmas has black blood in an attempt to clear his own name, “Accuse the white man and let the nigger go free.” (p97) And instantly Brown taps into the stereotypes of blacks to turn the law enforcement agents after Christmas. Browse by Subject; New Releases; New in Paperback Faulkner and race : Faulkner and Yoknapatawpha, 1986, edited by Doreen Fowler and Ann J. Abadie Vol. This continues the vein of Christmas’s own ambiguous racial identity in that those around him are not really sure what he is. To suggest, as Faulkner apparently does, that Nancy Mannigoe can only preserve Temple Drake’s marriage by murdering her youngest child commits an outrage, in Michael Millgate’s words, “not simply upon our moral sensibilities but on our credulity.” Yet to attempt to overcome this outrage by interpreting Nancy as a murderess rather than as... JSTOR is part of ITHAKA, a not-for-profit organization helping the academic community use digital technologies to preserve the scholarly record and to advance research and teaching in sustainable ways. This awareness shows again in Lucas’s musings on getting his wife back from Roth Edmonds – “How to God…can a black man ask a white man to please not lay down with his black wife? He knows that the South’s way of life will change but not in his lifetime. . That’s what he was. Race in literature — Congresses. The story too fine and too simple to have been invented by a white imagination is that of Reverend Hightower’s grandfather, and one of the major symbolic leitmotifs ofLight in August. Toggle navigation. When in the life-and-death struggle with Roth Edmonds he says, “And if this is what that McCaslin blood has brought me, I dont want it neither.” (p56) It seems Lucas views his bloodline as both a blessing and a curse. Is he trying to argue that this is how we should think about white-black relations? This is partly a matter of critical response, more profoundly a matter of literary impact. For analyses speculating on this literary emergence, see Allen Tate's "The Profession of Letters in the South," Virginia Quarterly Review 11 (1935), 161–176; … between whom and himself there was a rapport not of mere man to man since flesh is constantly fluctuant or of mere soul to soul since the soul may be beat and battered until it no longer has value even as a negotiable symbol but of I-Am to I-Am: the presence the aura which is the sum of... Any discussion of William Faulkner and Mark Twain, regardless of its specific purpose, seems to vacillate between the poles of two strong opinions expressed by Faulkner at the beginning and towards the end of his literary career. Because they ain’t human. In The Fire and the Hearth, Faulkner gives readers the first black character where they can see the inner psyche – Lucas Beauchamp. This collection focuses on research-based materials created in academic contexts. That’s the only salvation for you – for a while yet, maybe a long while yet. In Faulkner’s large volume of work, he goes about exploring various themes and ideas, from how to “say” the psyche to the fallacy of language and history. Christmas is white in appearance, often being taken as a white man or a foreigner; however, he has “black blood” in him. University Press of Mississippi, 1987 - Literary Criticism - 311 pages. In Faulkner’s large volume of work, he goes about exploring various themes and ideas, from how to “say” the psyche to the fallacy of language and history. Faulkner and race, Faulkner and Yoknapatawpha, 1986 ; edited by Doreen Fowler and Ann J. Abadie On the one hand, Faulkner has created unforgettable black characters like Dilsey Gibson, Faulkner’s own favorite character, whom Faulkner described as “much more brave and honest and generous than me.”¹ And, with characters like Joe Christmas, a man who can never be categorized as either black or white, and Charles Bon, a seemingly godlike... “Jazz, like the country which gave it birth, is fecund in its inventiveness, swift and traumatic in its developments and terribly wasteful of its resources. However, Faulkner's public statements on the subject of race have sometimes seemed less than fully enlightened, and some of his black characters, especially in the early fiction, seem to conform to white stereotypical notions of what black men and women are like. Faulkner understood that, the Old South (before the Civil War) was built on a social and economic system that could survive only by maintaining the many roles in every segment of society. 203 likes. 5.1: 119-24; Some Thoughts on Faulkner's "Racism" Ursula Brumm. In doing this he is reemploying... Nearly everyone is agreed that Faulkner’s public views on race are both difficult to determine and contradictory in what they propose: sometimes enlightened, at other times painful to read.¹ Scholars and critics agree, however, far less on which racial views they should stress, particularly whether the attitudes should be those Faulkner presented as public statements or those he embedded in his fiction. But can Faulkner, a white Southerner, the great-grandson of a slave owner, or, for that matter, can any white man enter a black consciousness or render accurately black lives? These essays, originally presented by Faulkner scholars, black and white, male and female, at the 1986 Faulkner and Yoknapatawpha Conference, the thirteenth in a series of conferences held on the Oxford campus of the University of Mississippi, explore the relationship between Faulkner and race. Race relations merely exist on the periphery of the novel, indicating his thematic focus as a writer, which would not turn squarely to race until Light in August. But can Faulkner, a white Southerner, the great-grandson of a slave owner, or, for that matter, can any white man enter a black consciousness or render accurately black lives? If you disable this cookie, we will not be able to save your preferences. In what follows I want both to contest and to uphold the claim that the role of black lives in Faulkner’s work is marginal. This website uses cookies so that we can provide you with the best user experience possible. 5.1: 108-18 ; Author's Commentary Arthur F. Kinney. Hello, Sign in. 2 Thadious M. Davis, "From Jazz Syncopation to Blues Elegy: Faulkner's Development of Black Characterizations," in Faulkner and Race: Faulkner and Yoknapatawpha, 1986, ed. As a Fox News anchor, Harris Faulkner is constantly up to date with the news and knows better than to talk to her children about racial injustices in America. Faulkner knew Southern masculine attitudes on race quite well from the inside, he struggled with his racist patrimony, and his work reflects this continual and continuous struggle. This is so for both thematic and formal reasons. By creating Lucas Beauchamp, Faulkner shows awareness for the expectations of race and gives a voice to characters knowingly navigating these expectations. Check out our website for more information. He devises a plan to get rid of George Wilkins, a suitor for his daughter and when this plan backfires he still manages to keep himself from going to jail by allowing George to marry his daughter so neither of them can testify against him. A revealing moment of how deeply entrenched and important racial labels are occurs shortly after Christmas is caught for the murder of Joann Burden – “He never acted like either a nigger or a white man. Faulkner and Race (Faulkner and Yoknapatawpha) | Fowler, Doreen, Abadie, Ann J. Faulkner, Race, Fidelity John Cooley. Faulkner is one of America’s greatest writers, and one of his central subjects is race. Faulkner resolutely has probed the deeply repressed psychological dimensions of race, asking in novel after novel the perplexing question: what does blackness signify in a predominantly white society? The essays in this volume address William Faulkner and the issue of race. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful. Gent-Wevelgem, the fourth stop on the UCI Women's … Regarded as the most prominent writer from the South, William Faulkner spent his entire writing career building stories that both speak of human nature and of the nature of his homeland. The item Faulkner and race, Faulkner and Yoknapatawpha, 1986 ; edited by Doreen Fowler and Ann J. Abadie represents a specific, individual, material embodiment of a distinct intellectual or artistic creation found in East Baton Rouge Parish Library. Faulkner resolutely has probed the deeply repressed psychological dimensions of race, asking in novel after novel the perplexing question: what does blackness signify in a predominantly white society? | ISBN: | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. Get tips and ideas in OUTLINE. In the final chapter he composes a scene in a black church in which the cohesiveness manifests itself as spiritual unity, transcending the individual doom of the Compsons – “And the congregation seemed to watch with its own eyes while the voice consumed him, until he was nothing and they were nothing and there was not even a voice but instead their hearts were speaking to one another in chanting measures beyond the need for words”. Christmas is crafted in such a way so that he is an ideal character for Faulkner’s first plunge into wrestling with race in literature. The lack of simplicity, symmetry, regularity and nonconformation to nature […], Ayn Rand’s unflinching political confutation for socialism conveyed throughout her mighty work Atlas Shrugged is a passionate allegorical account regarding how one should exist only for the benefit of oneself. This perception of black-white relations commonly held by the white community in the South seems to stem from a religious origin, or at least is justified in that manner. The man in question wasn’t even a suspect and yet immediately the white community is ready to grab its pitchforks and torches to avenge the death of someone they despised. One of the main places we see Faulkner’s treatment of blacks is in comparing the Compson family with their servant Dilsey’s family. Faulkner, C: Interconnections - Gender and Race in American: Gender and Race in American History | Faulkner, Carol, Parker, Alison M. | ISBN: 9781580464215 | Kostenloser Versand für alle Bücher mit Versand und Verkauf duch Amazon. This is brought up in the text when Joanna Burden is recounting how her father taught her about how blacks were “a race doomed and cursed to be forever and ever a part of the white race’s doom and curse for its sins.” Even in carpet-baggers from the North there seems to be a sense of this Biblical-like tie between whites and blacks. Faulkner’s black and white characters, in short, live under... Let me begin neutrally, with Webster, who defines marginalia in three related ways: “marginal notes,” “extrinsic matters,” and “nonessential items.” Each definition works by way of a stabilizing opposition: we understand the marginal by opposing it to the central, the intrinsic, or the essential. However, Faulkner's public statements on the subject of race have sometimes seemed less than fully enlightened, and some of his black characters, especially in the early fiction, seem to conform to white stereotypical notions of what black men and women are like. Faulkner and Race. Faulkner’s black characters lack the nuanced complexity and individual psyche of the white characters, and though the blacks are integral in the lives of whites, they are treated as separate entities like oil in water. Faulkner, William, 1897-1962 — Political and social views — Congresses. Read "Faulkner and Race" by available from Rakuten Kobo. In Quentin’s travels to attend Harvard in the North, he encounters a black man on a mule while the train is stopped. March 28, 2021 It's safe to say Kristen Faulkner and Lauren Stephens thrive on Flanders' unforgiving roads, and today at Gent-Wevelgem proved no different. But does he envision a reconciliation of the two races? He creates the protagonist Joe Christmas, who serves as a vehicle for Faulkner to probe race and race relations in his South, exploring the importance of racial identity and labels – both in the individual and in communal expectations. Granted, Dilsey, a black character, is painted as the good and compassionate foil to the nasty, cynical Jason; however, she is constantly portrayed as such and lacks the human complexity of character. Read "Faulkner and Race" by available from Rakuten Kobo. Race and Counterplot in Flags in the Dust, Faulkner’s Reivers: How to Change the Joke without Slipping the Yoke, Man in the Middle: Faulkner and the Southern White Moderate, Light in August and the Rhetorics of Racial Division, Black as White Metaphor: A European View of Faulkner’s Fiction. Faulkner then juxtaposes Rider’s human grief with the Deputy and his wife, who totally dehumanize Rider and miss the point entirely. Faulkner and Race Jonathan Davies College. Vol. Details for: Faulkner and Race. Franklin had “allowed the French to mistake him for Rousseau’s Natural Man”; “Lincoln allowed himself to be mistaken for a simple country lawyer.” It had descended to his contemporaries. That’s what he was trying to do.”². Faulkner also uses Christmas to look at the relations between white and black communities, specifically at how whites tend to perceive and treat blacks. And then follows Joanna’s chilling response – “But after that I seemed to see them for the first time not as people, but as a thing, a shadow in which I lived, we lived, all white people, all other people.” (p252) This is quite reminiscent of the modern response to affirmative action. on JSTOR. That Faulkner knew that race was central and unavoidable to his “own little postage stamp of native soil” (Stein 57) is confirmed by his next major novel. Faulkner delves into the psyche of Joe Christmas to look at the potency of racial identity on the individual. The essays in this volume address William Faulkner and the issue of race. Faulkner’s novels, meanwhile, are full of confusion over racial identity, with mixed-race characters struggling to determine their origins, or knowing them and struggling to … However, Faulkner’s writing and treatment of race relations drastically evolved from the beginning to the end of his career. Professor Wai Chee Dimock continues her discussion of The Sound and the Fury by juxtaposing Quentin’s stream-of-consciousness to his brother Benjy’s narrative subjectivity. Or is he trying to satirize his community’s way of life? The Southern Renaissance has been declared by critics as having begun in 1929, the year that saw the publication of major works by Robert Penn Warren, Thomas Wolfe, and William Faulkner.1A great deal has been written on the phenomena of southern literature and the particularized role of culture in the South's dynamic history of aesthetic productions. The moments where Christmas’s racial background is revealed to other characters prove telltale in terms of how a community expects someone with a certain label to behave and how violent and radical their reaction can be when that label changes from white to black. , yet he fails in his old age and tagging along with faulkner and race command to to! For both thematic and formal reasons then his black, all the while toying between black and white men how... Our website your favorite Books in the South can find a resolution to this book on JSTOR in black creates. Get to see the inner psyche – Lucas Beauchamp, Faulkner shows awareness for expectations... Pantaloon in black Faulkner creates another black character, Rider, who born. Of Faulkner 's the Sound and the issue of race and gives a voice to characters knowingly these... His McCaslin heritage, which is the main driving force for his wanderings this continues the vein of Christmas s! 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